Morning in the Manor

This is a stereo rendering of a piece for Ensemble and 8-channel Electronics.

Many thanks to Ensemble Dal Neinte for the performance:

Constance Volk, Flute

Andrew Nogal, Oboe

Ryan Muncy, Alto Sax

Amanda DeBoer Barlett Soprano

J. Austin Wulliman, Violin

Serafim Smigelskiy, Cello

Mark Buchner, Bass

The electronics are both live and fixed. The live element consist of a supercollider patch that generates photosensor controlled sine waves and a”reversed” gate that processes and distorts the voice and ensemble at various shifting time intervals.

Recent Pieces and Recordings

Pangenesis – For Yarn Wire: Percussion, Pianos, and electronics

https://eoincallery-sounds.bandcamp.com/track/pangenesis

Barratry – For Ensemble Adapter: Flutes, Clarinets, Harp, Percussion, and electronics

https://eoincallery-sounds.bandcamp.com/track/barratry

And After – For Now Hear Ensemble: Clarinet, Alto Sax, Percussion, Viola, and Double Bass

http://www.amazon.com/gp/product/B00G7HGWAW/ref=dm_dp_trk5

 

Shade

Here is a dance piece choreographed by Cuauhtemoc Mitote Dance Company. The music consists of samples controlled by photosensor, live feedback, and large metal object. (Thanks to Sasha Leitman for the use the large metal object – one half of an oil barrel!)

Dancers: Cuauhtemoc Mitote and Javier Frèsquez

This took place as part of an evening curated by Laura Steenberge at CCRMA in May 2013.