Morning in the Manor

This is a stereo rendering of a piece for Ensemble and 8-channel Electronics.

Many thanks to Ensemble Dal Neinte for the performance:

Constance Volk, Flute

Andrew Nogal, Oboe

Ryan Muncy, Alto Sax

Amanda DeBoer Barlett Soprano

J. Austin Wulliman, Violin

Serafim Smigelskiy, Cello

Mark Buchner, Bass

The electronics are both live and fixed. The live element consist of a supercollider patch that generates photosensor controlled sine waves and a”reversed” gate that processes and distorts the voice and ensemble at various shifting time intervals.

The Workshop At The Back Of The Barracks

This piece is an interactive situation/installation inspired by various elements of The Third Policeman by Flann O’Brien.

Those who encountered the piece follow simple instructions, which explain how the anglepoise lamp should be moved. A microphone with high gain – with pitch shifter and limited output – is hidden near the lamp. The movement of the lamp changes the sound and also changes the lighting cast onto the object/sculptural elements in front of the participant. The central sculptural element is a magnifying lens, which points towards a set of gradually shrinking pieces of bent metal gauze. Still images of these element will be available soon.

This realization was set-up in the old MAX Lab at CCRMA Stanford University. There are three sample encounters in the following video